Video summary
The fairy tale of Hansel and Gretel serves as a profound allegory exploring themes such as selfishness versus generosity, the strength of biological bonds, and the danger of deceptive appearances. The narrative begins by highlighting how parental figures can prioritize their own survival over that of their children during times of scarcity; in this story, the stepmother is cruel while the father remains weak and unable to protect them from her abuse, illustrating how non-biological relationships may heighten risks within a family unit. In stark contrast, Hansel and Gretel form an inseparable reciprocal bond where they prioritize each other's safety through acts of mutual care, such as leaving breadcrumbs or stones to mark their path back home against the deceptive lures offered by their parents who falsely promise return trips while leading them deeper into danger.
Central to the story is the figure of the witch, who represents "camouflaged virtue," hiding malevolent intent behind a benevolent facade that offers food and shelter before attempting to devour her victims. Hansel demonstrates cleverness by tricking the witch into believing he is fattening himself up for baking when he actually feeds on bones she provides, while Gretel survives by recognizing the plan to bake her in an oven and pushing the witch inside instead of herself. Their escape leads them to discover treasure chests filled with pearls and jewels, which symbolize mature independence rather than mere material wealth, reinforcing the lesson that generosity fosters abundance whereas selfishness inevitably leads to poverty.
Upon escaping the dark realm where maternal devouring forces reside, the siblings cross a body of water using a white duck as magical transport back to their father's familiar world; they display wisdom by refusing to overload the bird and choosing instead to be transported one at a time for safety while maintaining their mutual care. When they reach land, they rush into their father's arms only to discover that their mother has died, but this loss is resolved when Gretel empties her pouch of pearls and Hansel adds his own stones from his pocket, effectively ending all anxiety regarding poverty. The narrative ultimately frames the story as an initiation rite where the children face betrayal and dark spirits yet succeed through maturity, bravery, attentiveness, and partnership to defeat evil forces, capture treasure, and return home safely with their newfound self-sufficiency.
Read the full video transcript
Hello everybody.
So in the past I have
told or read
stories for children and offered an
analysis
and I recently released a new
episode of that sort discussing the
Grims brothers Snow White and people
seem pretty happy with that. I'll read
you a couple of comments. Can we have a
whole psychoanalytic series on fairy
tales? So many hidden lessons. It also
reminds me of the Peterson lectures I
listened to on The Lion King, Peter Pan,
and Pinocchio. That was some years ago.
Yes, more of these. Please do more of
these. All the best from the UK. Story
time with Dr. Peterson. Too awesome.
Well, the episode proved quite popular
and people's responses were very
positive and I like doing narrative
analysis. Um, and so we're going to try
another one today. Hansel and Gretle.
And you all know that story. So, we'll
see how it goes. Hard by a great forest
dwelt a poor wood cutter with his wife
and two children. The boy was called
Hansel and the girl Gretle. He had
little to bite and to break. And once,
when great scarcity fell on the land, he
could no longer procure daily bread. Now
when he thought this over by night in
his bed and tossed about in his anxiety,
he groaned and said to his wife, "More
about her in a moment. What is to become
of us? How are we to feed our poor
children when we no longer have anything
even for ourselves?" Now you see there's
something troublesome right there
already
because
his priorities are backwards. He says
when we no longer have anything even for
ourselves, well a father with his
priorities right would be more concerned
about his children's hunger than his
own. And so the teller of the tale, the
writer, the author of the tale sets up
the situation for us with that
foolishness. This wood cutter is
selfish and as we'll see also weak and
that places his children at great risk.
How are we to feed our poor children
when we no longer have anything even for
ourselves, prioritizing himself first?
I'll tell you what, husband answered the
woman. Early tomorrow morning, we will
take the children out into the forest to
where it is the thickest. There we will
light a fire for them and give each of
them one piece of bread more, and then
we'll go to our work and leave them
alone. They will not find their way home
again, and we shall be rid of them."
"No, wife," said the man, "I will not do
that. How can I bear to leave my
children alone in the forest? The wild
animals would soon come and tear them to
pieces. "Oh, thou fool," said she, "then
we must all four die of hunger. Thou
mayest as well plain the planks for our
coffins." And she left him no peace
until he consented. "But I feel very
sorry for the poor children all the
same," said the man. Well, there's quite
a tale of domestic catastrophe in that
opening paragraph because his wife, who
turns out to be the children's
stepmother, as we see in the next
paragraph, is quite the horrid piece of
work. And he doesn't stand up to her. He
proclaims that he feels sorry for his
children, but he doesn't throw his wife
out of the house, which would be
approximately the appropriate move under
such circumstances when her proclivity
is to not only ensure that she's fed
first, which makes her a very bad
mother, but also to trick the children,
take them to where it's maximally
frightening, the darkest part of the
forest, leave them there, and then
harass her weak husband to death until
he agrees. Now, another thing we might
give some thought to with this opening
is why the poverty exists. And we could
feel sorry for the poor woodcutter and
his poor
new wife. Or we could note very
carefully that their poverty might have
something to do with their misplaced
priorities and their selfishness. So let
me give you a counter example in the
story of Elijah in the Old Testament.
Elijah is the first prophet who
identifies the voice of conscience with
the divine which is a major
psychological transformation. Right now,
Elijah is the enemy of the nature
worshippers who are led by an evil queen
named Jezebel, who's a an arrogant and
narcissistic
foreign malign foreign influence on the
Israelite nation. And she in her
arrogance and hottiness brings the
nation to ruin. and she persecutes
Elijah
for his forthrightness and his
willingness to stand for the one true
God against the nature worshippers,
which is something to think about in
these most modern of times. In any case,
Elijah is running away from
Jezebel and her forces after having
defeated the worshippers of nature. And
God sends him to a poor widow and who if
I remember correctly he meets by a well
and she offers to share her remaining
food with him. She just has enough flour
for one meal for her and her son and
enough flour and oil for one meal for
her and her son. But she offers to
share it with this stranger, this
strange prophet. And then it turns out
that
if she hits the barrel of flour, more
flour appears and the oil magically
refills
so that the prophet and the woman, the
widow, the poor widow and her son
subsist on virtually nothing for a very
long period of time. And you might ask,
well, what does that mean? Apart from
the let's say childish magical element
of it, it means that
those who
are generous in their attitude, and that
might be particularly true of food
because human beings share food, are
most likely to be provisioned
appropriately over the longest period of
time. So if you're generous and
hospitable,
then
the probability that you'll stand at the
center of a productive and abundant
community is radically elevated. Whereas
if you're only concerned about yourself
and you ensure that you're the one
that's fed first, let's say even before
your children, then that's reflective of
an attitude that's going to do nothing
but keep you in mired in poverty
forever. you and your society. So,
strangely enough, paradoxically enough,
an attitude of generous hospitality and
sharing is the best way to facilitate
social interaction in such a way that
everything becomes abundant. And the
wife of the wood cutter is certainly
selfish and cruel. And at minimum, the
wood cutter himself is a weak pushover.
That's very much also reminiscent of the
situation with Eve and Adam because Eve
is the primary sinner, let's say, or the
initiator of the fall, but Adam is too
weak to stand up against her. And you
know, if there's ever a time for a
father to make a stand in relationship
to his children, it would be at the time
when his new wife, who is not the
children's biological mother, is
harboring selfish and murderous thoughts
towards them. So that kind of sums up
the domestic situation.
the dement the two children had also not
been able to sleep for hunger and had
heard what their stepmother there we go
had said to their father. Now why is
that relevant? Well, your risk for being
abused in a domestic household if you're
a child is radically elevated if you
have a stepparent. I think the risk for
abuse is 100 times greater. It's some
ridiculous amount. And so these old
stories point out the danger of
nonbiological
relationship in the hot house of a
domestic situation, especially under
conditions of scarcity and privation.
And uh that's not particularly
politically correct. But raising
children is a difficult
endeavor and you need everything that
you can possibly have working for you to
ensure that you do it properly. And one
of the things that is useful to have
working for you is biological
relationship with the children whose
care you're charged with.
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The two children had also not been able
to sleep for hunger,
unfortunate as they are in this poor and
selfish household, and had heard what
their stepmother had said to their
father. Gretle wept bitter tears and
said to Hansel, "Now all is over with
us." "Be quiet, Gretle," said Hansel.
"Do not distress thyself. I will soon
find a way to help us." Now you see that
contrasts Hansel and Gretle with the
stepmother and
the wood cutter, the father, because
the parents look out for themselves.
That's their first impulse even in a
murderous way. Whereas Hansel and Gretle
make a team and Gretle and Hansel's
response to Gretle's distress is to say
that he will find a way to help the both
of them so he doesn't concern himself
with his own immediate survival. He
extends a hospitable hand and a brave
hand to his sister.
And when the old folks had fallen
asleep, he got up, put on his little
coat, opened the door below, and crept
outside. The moon shone brightly, and
the white pebbles which lay in front of
the house glittered like real silver
pennies. Hansel stooped and put as many
of them in the little pocket of his coat
as he could possibly get in. Then he
went back and said to Gretle, "Be
comforted, dear little sister, and sleep
in peace. God will not forsake us." So
Hansel is emblematic of the boy who can
find the shining path even in the
darkness.
And he lay down again in his bed. When
day dawned before the sun had risen, the
woman came and awoke the two children,
saying, "Get up, you sluggards. We are
going into the forest to fetch wood."
She gave each a little piece of bread
and said, "There is something for your
dinner, but do not eat it up before
then, for you will get nothing else."
Gretle took the bread under her apron as
Hansel had the stones in his pocket.
Then they all set out together on the
way to the forest. When they had walked
a short time, Hansel stood still and
peeped back at the house and did so
again and again. So he's a thoughtful
boy and he's planning his return home,
right? And that that's often the end of
a story. How do you return home like the
Hobbit does at the end of the well the
Hobbit and at the end of the Lord of the
Rings, right? to wander out into the
world and to find your way home
transformed.
Then they all set out together on the
way to the forest. When they had walked
a short time, Hansel stood still and
peeped back at the house and did so
again and again. His father said,
"Hansel, what art thou looking at there
and staying behind for? Mind what thou
art about? Mind what thou art about, and
do not forget how to use thy legs?"
Ah, father said Hansel. I'm looking at
my little white cat which is sitting up
on the roof and wants to say goodbye to
me. The wife said, "Fool,
that is not thy little cat in the that
is the morning sun which is shining on
the chimneys." Hansel, however, had not
been looking at the cat, but had been
constantly throwing out one of the white
pebblestones onto from his pocket onto
the road. When they had reached the
middle of the forest, the father said,
"Now children, pile up some wood, and I
will light a fire that you may not be
cold." So, he's couching his
malevolence, his cowardly malevolence in
a facade or patina of benevolence. He's
out in the forest taking care of his
children. And that's a motif that echoes
through this story. The contrast between
the false facade of parental, paternal,
maternal care and the underlying
malevolent reality.
Hansel and Gredle gathered brushwood
together as high as a little hill. The
brushwood was lighted, and when the
flames were burning very high, the woman
said, "Now, children, lay yourself down
by the fire and rest. we will go into
the forest and cut some wood. When we
have done, we will come back and fetch
you away. So, the same thing, another
sign of
persona, another sign of virtue
signaling, uh another sign of false
morality, uh another indication, you
might say, of it's it's a variant of
using God's name in vain. the
acting out of
a claim to moral virtue. Obviously, the
woodcutter and his wife are just being
good parents, taking care of the
children while pursuing their own
narrow, selfish, and even malevolent
aims. Very bad. Hansel and Gretle sat by
the fire, and when noon came, each ate a
little piece of bread. And as they heard
the strokes of the wood axe, they
believed that their father was near. So
they've been lulled into a false sense
of security. It was not, which is an
like that's an another indication of the
depth of the betrayal. Right? So the
stepmother and the weak father set their
children up to assume that they're safe
in the darkest place of the woods, but
they've skittered off and left them to
their own devices.
When they heard the strokes of the wood
axe, they believed that the father was
near. It was not, however, the axe. It
was a branch which he had fastened to a
withered tree which the wind was blowing
backwards and forwards. So that's
another indication of his treachery and
malevolence in the service of his cruel
and heartless
stepmotherwife.
He's actually set up a additional trick
to lull his children into a sense of
security so they won't follow and will
stay lost in the forest. And as they had
been sitting such a long time, their
eyes shut with fatigue, and they fell
fast asleep. When at last they awoke, it
was already dark night. Gretle began to
cry and said, "How are we to get out of
the forest now?" But Hansel comforted
her and said, "Just wait a little until
the moon had risen, and then we will
soon find the way." And when the full
moon had risen, Hansel took his little
sister by the hand and followed the
pebbles, which Shawn like newly coined
silver pieces and showed them the way.
They walked the whole night long. So
again, you can see that Hansel is taking
care of Gretle and making manifest that
spirit of reciprocity and mature care
that actually saves the children in the
final analysis and contrasts them quite
dramatically with the appalling conduct
of their parents. They walked the whole
night long and by break of day came once
more to their father's house. They
knocked at the door and when the woman
opened it and saw that it was Hansel and
Gretle, she said lying immediately as is
her nature. So, you know, and that
pertains to what we discussed before,
the reasons for her poverty. She's cruel
and selfish and prone continually to
deceit. And no doubt she believes that
the world is a hard place. Dooming
someone like her to abject poverty such
that she can't feed herself, her
husband, and the children who aren't her
children. But given her character, her
socioeconomic circumstances are hardly
surprising. You naughty children, why
have you slept so long in the forest? We
thought you were never coming back at
all. The father, however, rejoiced, for
it had cut him to the heart to leave
them behind alone. Yeah, well, it might
have cut him to the heart, but he didn't
do much about it. Not long afterwards,
there was once more great scarcity in
all parts, and the children heard their
mother saying at night to their father,
"Everything is eaten again. We have one
half loaf left, and after that there is
an end. Those children must go. We will
take them farther into the wood so that
they will not find their way out again.
There is no other means of saving
ourself. Well, so the children have
managed to fend for themselves quite
adequately at this point following the
silver road back home in consequence of
Hansel's positive conduct, his attentive
um attitude and his willingness to take
care of his sister. But they are just
children. And so it's possible for the
adults to circumvent even the
wisest actions of children and betray
them
effectively, which is what happens next.
The man's heart was heavy and he
thought, "It would be better for thee to
share the last mouthful with thy
children." Yeah, you think the woman,
however, would listen to nothing that he
had to say, but scolded and reproached
him. And then the author adds a comment.
He who says A must say B likewise. And
as he had yielded the first time, he had
to do a second time, he had to do so a
second time also.
Well,
his wife pokes and prods him to find his
weakness of character. And once having
established that initially, she knows
the points to leverage and so does that
again. And the authors
make
reference to the fact that
once you've given up
in relationship to a fundamental
principle
the first time,
it's much more likely that you'll do the
same the second time. The children,
however, were still awake and had heard
the conversation. When the old folks
were asleep, Hansel again got up and
wanted to go out and pick up pebbles as
he had done before.
But the woman had locked the door and
Hansel could not get out. Nonetheless,
he comforted his little sister and said,
"Do not cry, Gretle. Go to sleep
quietly. The good God will help us." So
Hansel is also a boy of some
upward orientation and faith and that's
makes itself manifest in his attitude of
reciprocity towards his sister which as
we said contrasts with the parents but
also turns out to be the saving grace in
the story. Early in the morning came the
woman and took the children out of their
beds. Their bit of bread was given to
them but it was still smaller than the
time before. On the way into the forest,
Hansel crumbled his in his pocket and
often stood still and threw a morsel on
the ground. So, he's trying the same a
variant of the same strategy that he
used last time to leave a pathway so
that when his parents lose him
purposefully,
he still has the wherewithal to get
home. And he's also willing to sacrifice
his meal to ensure that the future
remains secure and predictable. And that
shows a kind of prednatural maturity on
his part because he's a hungry child
after all, a starving child even under
in dire straits. and he still has enough
self-control and discipline to sacrifice
his bit of bread to ensure that his
sister and himself can make their way
home. So that's also a testament to
Hansel's character.
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Hansel, why dost thou stop and look
round? said the father. Go on. I'm
looking back at my little pigeon which
is sitting on the roof and wants to say
goodbye to me, answered Hansel.
Simpleton, said the woman, that is not
thy little pigeon. That is the morning
sun that is shining on the chimney.
Hansel, however, little by little threw
all the crumbs on the path. So, he's
thinking ahead. The woman led the
children still deeper into the forest
where they had never in their lives been
before. Well, this description works on
two levels because
there's the concrete level where there
is in the story the house in the forest
and the forest is the place of danger
and the unknown. Danger, possibility,
and the unknown. And so that's really
the structure of the world, a stable,
secure center. That's the house or in
principle secure. Although in this case
it's inhabited by you know um evil
stepmother.
the home surrounded by the unknown. And
the children are taken out into the
unknown by the acts of their parents,
but metaphysically they're abandoned to
the unknown because their parents do not
provide them with the security that is
appropriate from the moral perspective
with regard to parental conduct.
So children who are the target of
malevolent envy and jealousy, even
murderous on the part of their parents
for motivated by exceptionally selfish
reasons justified by reference to
self-induced poverty do find themselves
abandoned in the unknown. Right? They're
parentless children. The woman led the
children still deeper into the forest
where they had never in their lives been
before. Then a great fire was again
made. That's another sense of false
security. And the mother said, "Just sit
there, you children, and when you are
tired, you may sleep a little. She's so
wonderful. We are going into the forest
to cut wood. And in the evening, when we
were done, we will come and fetch you
away." When it was noon, Gretle shared
her piece of bread with Hansel, who had
scattered his by the way. And so Gretle
is also part of a reciprocal and
reciprocally altruistic duo. You could
imagine a scenario where she had
secretly
skittered off to eat her lone piece of
bread by herself, leaving her brother
with nothing. But despite their
privation, they prioritize sharing and
that makes them a unit uh a unit with
two minds, let's say. And as such a
cooperative unit, they're able to deal
with the unknown circumstances that
present themselves to them much more
effectively.
The that sharing hospitality is the
sacrifice of momentary benefit for the
advantage of long-term communion, play,
communication, strategy, and mutual
support. And that is the foundation of
community, sacrifice as foundation of
community. And Hansel and Gredle
understand this.
Then they fell asleep, and evening came
and went, but no one came to the poor
children. They did not awake until it
was dark night. And Hansel comforted his
little sister and said, "Just wait,
Gretle, until the moon rises, and then
we shall see the crumbs of bread which I
have strewn about, and they will show us
our way home." When the moon came, they
set out, but found no crumbs, for the
many thousands of birds which fly about
in the woods and fields had picked them
all up. So, Hansel is um
stymied this time in his attempt to
circumvent the machinations of his evil
stepmother and his weak father. Um uh
reference to his the limits of his
childhood strategizing. Hansel said to
Gretle, "We shall soon find the way."
But they did not find it. They walked
the whole night and all the next day too
from morning till evening. But they did
not get out of the forest and were very
hungry, for they had nothing to eat but
two or three berries which grew on the
ground. And as they were so weary that
their legs would carry them no longer,
they lay down beneath the tree and fell
asleep. So they've come to the end of
their own devices and they've been
abandoned and betrayed by their parents.
And so that places them even deeper in
the woods. As we find out in the next
paragraph, it was now three mornings
since they had left their father's
house. They began to walk again, but
they always got deeper into the forest,
and if help did not come soon, they must
die of hunger and weariness.
When it was midday, they saw a beautiful
snow white bird sitting on a bow, which
sang so delightfully that they stood
still and listened to it. And when it
had finished its song, it spread its
wings and flew away before them. And
they followed it until they reached a
little house on the roof of which it
ellighted. And so the evil witch, who
we'll encounter soon, sends out a
attractive and welcoming avatar,
familiar you might say, to attract the
children. And so this is the second
time, third time in the story where we
see the facade of beauty and
attractiveness, the white bird and its
attractive song
serving as the camouflage
that
hides something much much darker and
more malevolent. So this is a this whole
story is a warning about
vice
presenting itself as virtue and the bird
is a representation of that. The
children are attracted by something
that's
beautiful and
apparently welcoming and it entices them
in their desperation into the evil
witch's lair. Now that motif of
the positive being used as camouflage
for the negative is immediately
represented in the form of the house
itself.
They followed the bird until they
reached a little house on the roof of
which it lighted. And when they came
quite up to the little house, they saw
that it was built out of bread and
covered with cakes, and that the windows
were of clear sugar. "We will set to
work on that," said Hansel, "and have a
good meal. I'll eat a bit of the roof,
and thou, Gretle, can eat some of the
window. It will taste sweet." Hansel
reached up above and broke off a little
of the roof to try how it tasted. and
Gretle lent against the window and
nibbled at the pains. Then a soft voice
cried from the room. Okay, so
what might we
conclude at this point? Um, this looks a
little too good to be true. So you have
children who are lost in the wilderness
in consequence of their parents'
maliciousness and weakness and
malevolence and they are as deep into
the woods as they possibly can get which
means that they're in real trouble. And
a beautiful bird appears and leads them
not only to a house, but a house that's
made out of that's literally made out of
candy. And so that all screams too good
to be true. And it's a warning to
everyone, children included, that
it's often necessary to look behind the
facade,
especially in a circumstance where
things do seem to be too good to be
true.
Then a soft voice cried from the room,
"Nibble, nibble, no. Who is nibbling at
my little house?" The children answered,
"The wind, the wind, the heavenborn
wind, and went out eating without
disturbing themselves." Hansel, who
thought the roof tasted very nice, tore
down a great piece of it, and Gretle
pushed out the hole of one round window
pane, sat down, and enjoyed herself with
it. Suddenly the door opened, and a
very, very old woman, who supported
herself on crutches, came creeping out.
Hansel and Gretle were so terribly
frightened that they let fall what they
had in their hands.
The old woman, however, nodded her head
and said, "Oh, you dear children.
Who has brought you here? Do come in and
stay with me. No harm shall happen to
you." She took them both by the hand and
led them into her little house. Then
good food was set before them, milk, and
pancakes, and sugar, apples, and nuts.
Afterwards, two pretty little beds were
covered with clean white linen, and
Hansel and Gretle lay down in them, and
thought they were in heaven.
There's a deep motif here of
as I alluded to earlier of the
pathologies of camouflaged virtue
signaling. So children are very
dependent and they're dependent
primarily on maternal benevolence.
And what that means is that that
maternal benevolence can be gamed by
pathological actors who can acrue to
themselves all of the reputational
virtue of the positive mother. You can
think about this politically as well.
the the maternal force that cares for
everything and including the planet and
everything on it, but in reality is
doing nothing but serving its own
malicious and carnivorous
or even cannibalistic urges. It's a very
dark story. And so
the worst evil takes the greatest good
and perverts it to the worst possible
end. And that's what we see happening
here. The old woman had only pretended
to be so kind. She was in reality a
wicked witch who lay in wait for
children and had only built the little
house of bread in order to entice them.
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When a child fell into her power, she
killed it, cooked it, and ate it, and
that was a feast day for her. Witches
have red eyes and cannot see far, but
they have a keen scent, like the beasts,
and are aware when human beings draw
near. When Hansel and Gretle came into
her neighborhood, she laughed
maliciously and said mockingly, "I have
them. They will not escape me again."
Now, there's an another motif here apart
from the
pathology of glorious
maternal, compassionate, virtue
signaling, masking carnivorous or
cannibalistic urges. And that is
the danger of
maternal hypers solicitude.
Right? So
human beings have the longest
developmental
period of any creature.
And
it can last almost two decades, let's
say. And
what that means is that a force that
powerful can easily go wrong
a mother shouldn't be so kind.
She should take care of her children but
not offer them too much. Too much being
a convenient house in the midst of
danger. But not only a house, a house
literally made out of candy and cake.
The mother who offers her children too
much, who does everything for them, who
goes above and beyond the call of duty
to announce to the world her virtuous
compassion as the highest possible moral
virtue is also the helic hovering
helicopter mother who ends up devouring
her own children.
So if it looks and sounds too good to be
true, there's some real possibility that
it is.
I remember my mother told me once, my
mother, she died very recently, last
year. She was a very agreeable person
and a compassionate person, but she had
a spine and and she didn't
overindulge her children or overprotect
them. And I left home when I was about
16. I'd been having some friction with
my father, which was some him and some
me, perhaps even mostly me. And and then
once I left and went to college, our
relationship renormalized and maintained
itself quite positively from that time
forward. My mom said to me
after I had returned from college when
we were talking about having left and
the fact that things had settled up, she
said, 'You know, and and the conflict
that accompanied my leaving, she said,
you know, if it was too good at home,
you'd never leave. And I thought that
was that was my mother in a nutshell
because she was a very pleasant person
and a very caring person and hospitable.
But she had enough sense to know that a
little bit of pushing her children out
of the nest was actually a very positive
thing. And this evil witch is all too
good and announcing that continually.
Early in the morning before the children
were awake, she was already up. And when
she saw both of them sleeping and
looking so pretty, with their plump red
cheeks, she muttered to herself, "That
will be a dainty mouthful." Then she
seized Hansel with her shriveled hand,
carried him into a little stable, and
shut him in behind a graded door. He
might scream as he liked, that was of no
use. Then she went to Gretle, shook her
till she awoke, and cried, "Get up, lazy
thing. Fetch some water, and cook
something good for thy brother. He's in
the stable outside and is to be made
fat. And so that's an interesting twist
in the story, too, because
mothers obviously feed their children
and that's part of maternal behavior.
But
to overfeed a child is again to make a
pathology of care, right? to make a show
of that maternal solicitude at the cost
of the child's health and well-being.
And so that's the meaning of the motif
that she's fattening up her ursat son,
her temporary son, for no other reason
than to devour him.
He is in the stable outside and is to be
made fat. When he is fat, I will eat
him." Gretle began to weep bitterly, but
it was all in vain. She was forced to do
what the wicked witch ordered her. And
now the best food was cooked for poor
Hansel, but Gretle got nothing but
crabshells.
Every morning the woman crept to the
little stable and cried, "Hansel,
stretch out thy finger that I may feel
if thou wilt soon be fat. Hansel,
however, stretched out a little bone to
her, and the old woman, who had dim
eyes, could not see it, and thought it
was Hansel's finger, and was astonished
that there was no way of fattening him."
Well, that's another indication of
Hansel's
self-sufficiency.
He's
attentive enough and intelligent enough
to notice what the old woman is up to
quite clearly not to deceive himself
about her intent. And in consequence of
that careful attentiveness and refusal
to deceive himself, he plays a trick on
her and
indicates to her that he is by no means
optimally positioned to serve as a meal.
When four weeks had gone by and Hansel
still continued thin, she was seized
with impatience and would not wait any
longer. "Hola, Gretle," she cried to the
girl. "Be active and bring some water.
Let Hansel be fat or lean tomorrow. I
will kill him and cook him." Ah, how the
poor little sister did lament when she
had to fetch the water, and how her
tears did flow down over her cheeks.
Again, an indication that she really
loved her brother. A contrary attitude
might be that she was quite relieved
that it was Hansel who was serving as
main course rather than her. "Dear God,
do help us," she cried. If the wild
beasts in the forests had but devoured
us, we should at any rate have died
together. That's hammering home that
motif of union in the face of adversity.
Just keep thy noise to thyself, said the
old woman. All that won't help thee at
all. Early in the morning, Gretle had to
go out and hang up the cauldron with the
water and light the fire. We will bake
first, said the old woman. I have
already heated the oven and kneaded the
dough. She pushed poor Gretle out to the
oven from which flames of fire were
already darting. Creep in, said the
witch. See if it is properly heated so
that we can shut the bread in. And when
once Gretle was inside, she intended to
shut the oven and let her bake in there.
Then she would eat her, too. But Gretle
also being an awake child, properly
taken care of, let's say, by her
brother,
unwilling to deceive herself about the
motivation of the woman who's just too
good to be true.
But Gretle saw what she had in her mind
and said, "I do not know how I am to do
it. How do you get in?" "Silly goose,"
said the old woman. "The door is big
enough. Look, I can get in myself." And
she crept up and thrust her head into
the oven. Then Gretle, who's an
enterprising young woman, gave her a
push that drove her far into it and shut
the iron door and fastened the bolt. Oh.
Then she began to howl quite horribly,
but Gretle ran away, and the godless
witch was miserably burnt to death. So
Hansel and Gretle are awake enough to
defend themselves against the evil
machinations of the camouflaged
witch. The witch camouflaged in virtue.
And you know, one of the things Carl
Jung said about pathological families
was that
children are also often offered an easy
way out by an oversolicitous parent, for
example, but that they don't necessarily
have to take the bait. So you could
imagine a lonely mother with a child who
has oh maybe a cold and the mother is
hoping that the child could stay home
from school so that she has company and
she suggests to the child verbally and
non-verbally that his or her state of
physical health is sufficiently
compromised. So that staying home from
school might be justifiable. And the
child knows full well that
he's not particularly sick, but takes
the bait and then enters into a
pathological covenant with the mother
such that he exaggerates his proclivity
for illness and brings illness onto
himself in so doing. and she benefits
from the fact that she can make her
maternal solicitude
manifest publicly benefit from that
display of virtue and also not have to
be alone. And so Hansel and Gretle are
not playing games of that sort. They're
maybe because they're bonded together
and taking care of each other. Maybe
because they're oriented properly,
they're capable of fending for
themselves and taking action when
necessary and not falling prey to the
machinations of the over
demonstrative
mother figure who in truth wants to
devour them.
Children have a moral responsibility
too, you know. I mean, and and that's a
tricky thing to manage, but
it takes two to tango. And that doesn't
mean I'm blaming the child in situations
where the family becomes pathological.
You know, I I had people in my clinical
practice who were offered pathological
invitations, let's say, by their parents
and they resisted instead of falling
prey to them and managed to free
themselves from the situation. And so,
you know, everybody has their destiny
and that includes children. And we make
our beds even when we're very young and
then are required to lie in them.
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Gretle ran like lightning to Hansel,
opened his little stable, and cried,
"Hansel, we are saved. The old witch is
dead." So immediately her first response
is to go rescue her brother. Then Hansel
sprang out like a bird from its cage
when the door is open for it. How they
did rejoice and embrace each other and
dance about and kiss each other. And as
they no longer had any need to fear her,
they went into the witch's house.
You know, and that's that that that that
is indication of some real bravery on
their part as well and some curiosity
because you could easily imagine that
their first impulse would be to get the
hell away from that place as rapidly as
possible. But they're they're courageous
enough to investigate. And what they
find is in every corner there stood
chests full of pearls and jewels. These
are far better than pebbles, said
Hansel, and thrust into his pockets
whatever could be got in. And Gretle
said, "I too will take something home
with me." And filled her pinn full. "But
now we will go away," said Hansel, "that
we may get out of the witch's forest."
"So why did the children find a great
treasure in the witch's house?" "Well,
they found a great treasure in the
defeated witch's house, right? That's a
crucial distinction. And the greatest
treasure that children can find is the
means of assuring their own
mature independence. You remember now
Hansel found pebbles that would help him
used pebbles that would help him find
his way home. And he makes an illusion
here to the fact that these pearls are
better than the pebbles that he had. And
that's an indication that like it's an
echoing or a parallelism indicating that
the treasure that they have now found is
the treasure that always helps everyone
adventure and return home. Well, that's
a genuine maturity. And it's a maturity
that the an independence that the
children found in being forthright, in
maintaining their union in love, and in
defeating the
oversolicitus
maternal embrace.
When they had walked for two hours, they
came to a great piece of water. "We
cannot get over," said Hansel. "I see no
foot plank and no bridge, and no boat
crosses either," answered Gretle. But a
white duck is swimming there. If I ask
her, she will help us over. Then she
cried, "Little duck, little duck, dost
thou see? Hansel and Gretle are waiting
for thee." There's never a plank or a
bridge in sight. Take us across on the
back so white. Well, it's a magical
transition back to
back to the familiarity of of household
and father. And the
water serves as that bridge. And the
duck as the magical means of transport
from the ultimately unknown where the
evil
force of maternal devouring lies in
weight. It's a transition point back to
the normal world. And then there's an
echo here again of the thoughtfulness of
the children because the duck came to
them and Hansel seated himself on its
back and told his sister to sit by him.
No, replied Gretle. That will be too
heavy for the little duck. She shall
take us across one after the other. So
even under those circumstances,
the children are looking out for each
other. Hansel invites Gretle to sit by
them, but they're also paying attention
to the circumstances even in the midst
of their good fortune so that they don't
take undue advantage of what's being
offered to them. And so they're patient.
They allow the bird to transport them
one at a time and that also ensures
their safety. So they're actually very
wise little children and things work out
reasonably well for them. The good
little duck did so, and when they were
once safely across, and had walked for a
short time, the forest seemed to be more
and more familiar to them, and at length
they saw from afar their father's house.
Then they began to run, rushed into the
parlor, and threw themselves into their
father's arms. The man had not known one
happy hour since he had left the
children in the forest. Well, I should
hope not. The woman, however, was dead.
Gretle emptied her pinn until pearls and
precious stones ran about the room, and
Hansel threw one handful after another
out of his pocket to add to them. Then
all anxiety was at an end, and they
lived together in perfect happiness.
My tail is done. There runs a mouse.
Whoever catches it may make himself a
big fur cap out of it. Hard to tell what
that ending means. So, well, the
children have an adventure. They
It's an initiation.
They go into the depths of the forest in
consequence of a profound betrayal.
They encounter the one of the darkest
extent spirits, that devouring force of
maternal oversolicitude.
They keep their wits about them. They
see through the facade. They defeat the
evil witch. They maintain their
partnership. They capture the treasure
of great price in consequence of their
maturity, bravery, and attentiveness.
And they make their way home. And that's
the end of Hansel and Gretle.
[Music]